Sadie Jemmett
THE BLACKSMITH’S GIRL
Wilflower
★★★★1/2
The debut solo album of a singer/songwriter who has traveled
long and far in order to make this intimate self-penned album. You’ll remember
it for a while.
It might be a bit
bold of me to direct you somewhere else but if you’re interested in Sandie
Jemmett, I would highly recommend that you type her name into youtube.com. You
will find this little featurette, about twelve minutes long, recorded from a
bunker underneath Metropolis studios in 2009. Three of the songs from the album
are here, in live form. It’s an environment that really does suit her; the
bunker’s acoustics show off every foray of her voice, very strong, very
dynamic, and bring out the unusual chord arrangements in her songs. They are,
for the most part, fairly calm, but by no means lacking nuance.
Thank goodness
that Wildflower records have managed to transfer the same quality to THE
BLACKSMITH’S GIRL, Sadie’s debut album. Up until about Another Way to Be, the third track, it is sedate but still draws
you in, the intimacy working with lyrics like ‘And oh my little darling…I can
see my mirrored walls are falling/And I know that you see deep inside of me’.
The great thing about
Jemmett though is that she doesn’t rely on that intimacy. What surprises you on
this Metropolis featurette is how much character she has when she performs. In
interview, she’s quite small, quite British, but then in tracks like the
titular Blacksmith’s Girl her
acoustic voice conjures up this dramatic heroine, slinging a pistol over her
shoulder. It’s then that you realise her accent, an inevitable off-shoot of her
Cambridgeshire upbringing, hides an unusual life-story. Trailing from home to
home as a child, picking up a guitar, Jemmett claims, was the first thing that
really made sense. And the way in which she’s clung to it in times of crisis
comes out in her music: ‘I feel like I’m falling down/So I begin by breathing
out/So I begin by breathing in.’ Equally you see the character that got her
through it and out on the road in all kind of fun and bizarre situations (she
was a backing singer in a reggae band at one point).
This album’s been a long
time coming, it’s been brewing for many years. I think the best thing that can
be said of it, perhaps of any such album from a singer/songwriter that you feel
like you’ve met her. And she really was quite something. Katy Browse